Above: New Music Dublin 2025
Sylvia O'Brien with EVLANA and the premiere of Stephen Gardner's piece An Eagle Feather with Paul Roe (clarinet) and Isabelle O'Connell (piano)
Photo: Molly Keane
"Surely the most wide-ranging, was by the collective Evlana on Saturday. It opened with a fantastic rendition of George Crumb’s brilliant Apparition (1979). Sylvia O’Brien (soprano) and Isabelle O’Connell (piano) played this work with a great, delicate sense of drama and space."
James Camien McGuiggan, Journal of Music, New Music Dublin, NCH, 26 April 2023
"Carducci Quartet and Sylvia O'Brien...
The main interest here was in the singular production of high notes by an amplified Sylvia O’Brien."
David Nice, Dublin International Chamber Music Festival, The Arts Desk, 16 June 2022
“Gerald Barry’s The Bitter Tears of Petra von Kant is a bullet train of an opera … and there’s an injection of innocence and clarity from Gabriele (the sharp and sparkling Sylvia O’Brien, in devastatingly accurate-sounding vocal form”
Michael Dervan The Irish Times, 30 May 2005
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Sylvia O'Brien and Benjamin Dwyer (guitar)
"But best of all was the beautifully shaped and timed singing of soprano Sylvia O'Brien." Martin Adams, The Irish Times, Bodley Horizons Concert, 2009.
Sylvia O'Brien and Niall Kinsella (piano), French programme at the National Concert Hall Dublin
"Soprano Sylvia O’Brien delivered Shostakovich’s bleak lyricism with a searing intensity that pinned listeners to their seats" Michael Dervan, The Irish Times, Westport Chamber Festival, 2015
OUT NOW THE DEVIL'S DREAM
'O'Brien again delivers an indelible vocal performance'
'O'Brien gives powerful voice to Ridge's fierce spirit'
APRIL 2025
'the rising glissandi that feature the wonderful Sylvia O’Brien as the spéirbhean (a kind of Irish Brunnhilde) reaching into the vocal stratosphere are thrilling...the performances from soprano Sylvia O'Brien and others is first class'
Review of The Devil’s Dream: Chamber Music by Seán Doherty | Adrian Smith | Journal of Music
.. the highlight of the concert was Saariaho’s Changing Light for voice and solo flute. Soprano Sylvia O’Brien and flautist Gilles Breda’s outstanding performance of this piece benefitted greatly from the resonant acoustic of the National Gallery’s Shaw Room.
Adrian Smith, Journal of Music, National Gallery, 7 March 2019
"the strenth of her (Ms O’Brien) range at both ends and her habitual knack for softening the edges and leaps of this style, gave Heaney’s poems and Bodley’s settings a credible and persuasive debut." Michael Dungan, The Irish Times, The Hiding Places of Love, 2012
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Veronica Dunne Final EU Singing Competition, NCH, Dublin
"There were equally assured performances from Dublin soprano Sylvia O’Brien, who would surely have taken a close second prize if there were one on offer.
‘In lyric arias from Louise and I Puritani, she allied a confident stage presence with a firm legato line and a musical sense of phrasing to convey the different heroines’diverse moods of joy, melancholy and mania. Above the stave, her tone gleamed."
John Allen, The Irish Times, 2004.
“Sylvia O'Brien (the Governess) and Hal Cazalet (Quint) are two superb young performers”
The Turn of the Screw, Buxton Opera House,
Robert Beale, The Manchester Evening News, 16 July 2004
“Sylvia O’Brien’s effective stage presence and subtle acting out of each aria, made this an engaging experience” Martin Adams, The Irish Times, Seven Deadly Sins Tour, 2009.
The soprano Sylvia O’Brien wowed an audience with confidence, soaring ability and a La Traviata sequence to die for'
Liam Murphy: Munster Express
Seven Deadly Sins Tour, 2009.